No 40 (2024) | telondefondo. Revista de Teoría y Crítica Teatral

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Published: 2024-12-27

Dossier

Presentation of: "Processes of creation and scenic communication: intermediality, immersion and interactivity"

Jara Martínez Valderas, Pilar G. Almansa
- pdf (Español (España))
Performance Workshops, Liminal Scenes: My Emancipation as a Facilitator

Elena Sánchez-Vizcaíno Flys
- pdf (Español (España))
The Case for Immersion: Punchdrunk, a Company Committed to Transformative Uses of Space, Closes the Gap Between Audience and Spectacle in "Sleep No More"

Monica Florensa Tomasi, Miguel Ribagorda Lobera
- pdf (Español (España))
Real Games: Analysis and Method for Creating Interactive Dance in Domestic Contexts

Nicoletta Cappello
- pdf (Español (España))
Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro

Markel Hernández
- pdf (Español (España))
"1980 Onwards": An Attempt to Stage the Selfie of a Generation

Tiran Manucharyan
- pdf (Español (España))

Artículos

Classroom-Theater: New Contemporary Didactics for the Production of Scenic-Educational Events

Rigoberto Ordoñez-Matute
- pdf (Español (España))
A Fourth-Rate Collector: A Critical Analysis of the Character of Lupus in "El centrofoward murió al amanecer" by Agustín Cuzzani

Gastón Amorin Alsina
- pdf (Español (España))

Reseñas

Hacedores de cultura. La huella de Don Quijote en la tierra de Martín Fierro. Volumen 12. Review of the book

Mariano Nicolás Saba
- pdf (Español (España))