No 35 (2022) | telondefondo. Revista de Teoría y Crítica Teatral

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Published: 2022-09-15

Ensayos

Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie

Gustavo Geirola
- PDF (Español (España))
Flux, Fragility and Power (Potentia). Transcending Language towards the Construction of a Performing Body

Carla Pessolano
- PDF (Español (España))
Theatrical Ethos and techné. Reflexes of the Domination and Collaboration Societies

Mario Cantú Toscano, Guadalupe Bejarle Pano, Denisse Zúñiga Gómez, Daniel Serrano Moreno
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Live Musical Accompaniment as a Resource in Dramaturgical Composition

Mario Colasessano
- PDF (Español (España))
Hydra and the Philosophising of Action Art. Critical Recount of a Poiesis

Miroslava Salcido
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Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts

Rigoberto Ordoñez-Matute
- PDF (Español (España))
A Greek Tragedy on the Banks. Reworkings of the Classical Myth in "El reñidero" by Sergio De Cecco

Daniela Oulego
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Dossier

Dossier: I Jornadas Federales de Estudios Escénicos del Instituto de Historia del Arte Argentino y Latinoamericano “Luis Ordaz”, (Facultad de Filosofía y Letras, Universidad de Buenos Aires) Sumary

Beatriz Trastoy
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Alfonsina Storni’s "Polixena y la cocinerita. Farsa pirotécnica" (1931). About the Staging, Rehearsal Criteria and Acting Training of a Research-Creation Performance in the University of Río Negro.

Aldo Rubén Pricco
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Does a Thinking Sensoriality Go beyond the Ephemeral and Museify It?

Adriana Musitano
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Playwriting in Tandil in the 21st Century: Catalina Landivar and María Elena Nemi

Teresita María Victoria Fuentes
- PDF (Español (España))
“Can We Do It Here?”: Territoriality and Imaginary in the Theater of Salta

Marcela Beatriz Sosa
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Performative Postmemory in the Theatre of Lola Arias

Susana Tarantuviez
- PDF (Español (España))
El Muererío Teatro: Twenty-Five Years on the National Scene

Juan Cruz Forgnone, Lía Noguera
- PDF (Español (España))
Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre

Mabel Brizuela, Luis Emilio Abraham
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Reseñas