No 28 (2018) | telondefondo. Revista de Teoría y Crítica Teatral

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Published: 2018-12-21

Ensayos

Theatricality and Visual Arts in the 21st Century

Adriana Musitano

1-26
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The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term

Micaela van Muylemn

27-52
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Unmasking the Ideology of the Dictatorial Discourse: Motherhood and the Family as Fundamental Institutions of the Nation

Lola Proaño Gómez

53-68
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Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications

María Verónica Manzone

69-84
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The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984)

María Verónica Basile, Verónica del Valle Heredia

85-93
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Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina

Fwala-lo Marin

94-106
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Tracing History: the (Re)Appearance of the Past in Pompeyo Audivert’s "Museo Ezeiza" and "Edipo en Ezeiza"

Patricia Sapkus, Cecilia Tosoratti

107-113
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The Greek Tragedy in Contemporary Theatre: an Analysis of Wajdi Mouawad’s "Incendies"

Rosa Anna Ferrando Mateu

114-120
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When the Body Occupies the Letter or the Polyphony of Voices: on Egon Wolff’s "Los invasores" on stage

Alai Garcia Diniz, Beatrice Távora, José Ricardo Goulart, Luiz Gustavo Bieberbach Engroff

121-132
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The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology

Victoria Mercedes Cestau Yannicelli

133-140
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Entrevistas

Dispositivos para contar historias, trabajo creativo y figuras de co-producción. Conversatorio con Mariano Pensotti

Juan Carlos Prudencio, Fernanda Moreira

141-154
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Críticas de espectáculos

Presence and Reception of the Body as "Mise en abyme" in "En lo alto para siempre"

Carla Daniela Abelando

155-162
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Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging

Matías Corradi

163-171
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Reseñas