La producción de sentido y los límites entre la ficción y lo real en <i>Savage</i> de Pablo Rotemberg

Abstract

In this paper, I seek to identify and articulate the different stage languages involved in Savage (Paul Rotemberg, 2013). Based on this general analysis, I will focus on a particular matter, which is the inclusion of reality in fiction. The theoretical framework for these reflections includes Trastoy and Zayas de Lima's analysis model, Schechner's concept of frames, Lehmann's descriptions of some postdramatic procedures and certain concepts developed by Sanchez and Cornago. Firstly, I intend to prove that stage languages respond to a system of relations in which they reaffirm, deny or are ironical regarding one another, thus creating open meanings. And secondly, I propose thinking the inclusion of real action which are close to the field of performance as a strategy that challenges the hegemonic discourses that pose a principle of single meaning. This inclusion completes the construction of a hybrid work puts all disciplines in tension, approaching the new searches of contemporary productions.